At 78, Mike Mahoney is developing 'We Were Golden,' a feature inspired by 1960s California, friendship and the music that shaped his life.
'The Last Sunday of High School' follows friends spending one final evening together as childhood gives way to an uncertain future.
Toad Abode Productions and Parker Rose Productions have launched 'Showreel? Sorted.,' a Bristol service producing bespoke cinematic scenes for actors.
Sina Sahelgozin’s psychological short film 'Sunrise' examines war’s emotional toll through an intimate setting, symbolic imagery and minimal dialogue.
Script supervisor Tamara Hansen discusses collaboration, continuity and lessons from productions including 'His & Hers,' 'The Iron Claw' and 'Bodies Bodies Bodies.'
'Fiddle Faddle Fortune,' an indie comedy from 8EIGHTY8 Pictures and O’Riley Media Group, features Jaymes Mansfield as its theatrical storybook narrator.
The medieval village of Celleno placed third in a Lazio filming-location initiative, highlighting its potential for international film and television production.
Dallas private investigator Daniel Gomez makes his filmmaking debut with 'Wong Place Wong Time,' a buddy-cop action-comedy now available across major streaming platforms.
Trailer and release details for Grace of God, a 1970s-set indie folk horror film from Bayview Entertainment about a 13 year old girl living inside an isolated Southern religious cult.
The Consulate General of Bulgaria in Los Angeles hosted the fourth BgFACE Awards for Art, Culture, Education and Science alongside the debut of Bulgarian Classical Concerts – LA.
'Kill Code', Justin Price's cyberpunk action thriller starring Franzi Schissler, Harvey Keitel, Tyrese Gibson and Frank Grillo, is slated for a 2026 worldwide release — set in a future where a corporation forces criminals to kill for freedom.
In this column, actor-producer and Max It Magazine co-founder Bryan McClure argues that across budgets and platforms, storytelling — not money — is what connects with audiences.
The entertainment industry isn’t just competitive — it’s relentless. Talent matters, but staying power matters more. If there’s one lesson I’ve learned on this journey, it’s this: success often comes to the last person standing.
The entertainment industry is shifting in ways we haven’t seen in decades. Studios are restructuring, streaming strategies are evolving, and audiences are redefining what they want. While these changes can feel daunting, I believe this is actually a hopeful time for independent filmmakers.
'Plankenstein: A Killer Surf Movie', Diq Diamond's Hawaiian surf-slasher comedy horror about a cursed surfboard, has been released worldwide on digital platforms with a theatrical premiere on Oahu.
'Etched', a short co-written and directed by Georgina Elizabeth Okon and shot on an iPhone with no budget, explores love, faith and forgiveness — winning the Reimagine iPhone Film Festival Showcase Prize.
'Repercussions', Alexander King's short dance film, uses a choreographed duet between a woman and her younger self to explore adoption, trauma and forgiveness — now in its final fundraising stretch.
'The Girls Talkin'', Sonia Jackson's all-women stage production blending comedy and candid reflection on womanhood, returns for its 20th anniversary at the Electric Lodge in Venice, Calif.
Savannah's Sandy Peaches Productions begins its first feature, 'Weewax', a dark comedy about a struggling artist who discovers a mob is murdering his peers to inflate their work's value — and he's next.
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